Micky is back on stage as he knocks off the dust, and tries out new material, some will fly and some will die ("ooooooh exciting").Please note only 2 tickets per customer, picture ID must match the name of the person present in order to gain access.For more information on Micky please join his mailing list at mickyflanagan.com

Poor Little Rich Girl is a tongue and cheek love letter to Sophie Garrad’s chaotic childhood. Think nannies, ski slopes, outrageous diary entries, even more outrageous pets, oh – and the day she was driven to private school in a police car. This high-energy, razor-sharp stand-up hour sees Sophie satirize her own experiences of class, identity, privilege and the prison system. Sophie is best known for her ‘Private School Mum’ and ‘London Girlies’ sketches - which have generated over 100 million views online.

You think science is boring, think again; this is science like you have never seen it before. Designed for children and adults alike, Mark’s Spectacular Science Show explores the strange and magical properties of matter with exploding elephant’s toothpaste, vortex-generating dustbins and even howling jelly babies! Awarded ‘Best Kid’s Show at Edinburgh Fringe’ by The Derek Awards, this interactive show promises to entertain and educate in the most spectacular way!

How can you experience desire in a world where everything feels underwhelming? How can you explore your senses and sexuality when everyone else’s conception of sex makes no sense to you?In a decent but unimpressive orchestra, Harry and Ophelie feel stuck and disconnected. So when they realise that they can summon the most beautiful man they’ve ever imagined through their music, they develop a strange bond. Rivalry, obsession and sensuality combine as they work to turn their fantasy into reality. Enter Giulia, another musician of… limited talent. Awful? No. But bad enough to drive their apparition away. She'd probably be fired—if only she weren't having an affair with the conductor… They’re not going to kill her. It’s not that type of story. It’s about doing little things, inconsequential really. Just enough to make her leave. It’s not their fault Giulia is more fragile than anticipated, is it?Loosely inspired by Berlioz’ Symphonie Fantastique, music becomes the set of a fantastical thriller where reality turns into a psychedelic nightmare.After being long-listed for the 2025 Woven Voices Playwriting Prize, The Silence That Follows is making its debut with the Hope Theatre as part of the Write Club Festival.LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 75 minutes without an interval.Refunds and exchanges are not available.

Presented by Labyrinth Productions and Full Moon Theatre, Madame la Mort is a hallucinatory, darkly comic reimagining of Rachilde’s forgotten Symbolist play - not a revival, but a total reinvention. Taking the original’s provocation as a jumping-off point, it explores what it means to want to die in a world where everyone wants to turn your pain into content.At its centre is a young man on the edge, watched, monetised, and mythologised by those around him. Friends, lovers, and strangers morph into spectators and exploiters - each trying to claim his story as their own. The piece moves between brutal realism and surreal cabaret, breaking form and tone as freely as the internet collapses tragedy into trend.Through physical theatre, fragmented dialogue, and a shifting soundscape inspired by Ravel’s music, Madame la Mort becomes a queer, dreamlike autopsy of performance, suicide, and the fetishisation of suffering.LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 45 minutes without an interval.Refunds and exchanges are not available.

Two people meet on a park bench in Central London, and an unlikely friendship blooms. Ali is struggling with their traditional South Asian family’s lukewarm acceptance of their sexuality, sitting on a new development that could change things forever. Shanta is a beloved auntie full of energy, but the loss of her husband and an estranged daughter leaves her alone in a busy city full of life. As Ali and Shanta learn about each other, their experiences and striking chemistry heal old wounds and help them grow into the people they were afraid to become.“Life’s too short to hold grudges and plant flags in the ground demanding tradition, all that matters is the connections we have and making sure we maintain them no matter what.”Producers of critically acclaimed shows ‘A Splash of Milk’ and ‘Naughty’ across the UK, PinkMilk Theatre are thrilled to bring a new show to London audiences which celebrates intersectionality in the queer community."Pink Milk Theatre already established their strong presence on the LGBTQ+ theatre scene with their previous show 'A Splash of Milk', and now are expanding their set of impactful, underrepresented real stories."- West End Evenings [Review for 'Naughty']LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 60 minutes without an interval.Refunds and exchanges are not available.

Bron has finally found her soulmate - the only catch? He died three and a half months ago. But she will try anything to make their love a reality. Steal his remains? Check! Take the Eurostar to the city of love? Check! Seek blessing from a higher power? Not a problem. As delusion takes over her world, how long can Bron dance with death before reality comes to break them apart?A zany rollercoaster ride through life and death, “Deadcrush” questions what we are willing to risk when love is all we have. Developed across scratch nights in multiple London venues, “Deadcrush” makes its full-length debut on the Hope Theatre stage as part of Write Club. Writer and director James Robertson is a non-binary, British-Australian playwright. Their writing has been staged in Ukraine, Hungary, Britain and Australia, where they ran the Plain English Theatre company. They graduated from MA Dramaturgy & Writing for Performance at Goldsmiths College. "[James Robertson] knows how a play works and how to play an audience,” - London Pub Theatre ReviewsLATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 60 minutes without an interval.Refunds and exchanges are not available.

One and Two are stuck in a room.They can’t leave until the play is done.But will the script ever arrive?And more importantly, will it actually be any good?Written by Rosie Pierce mainly to make fun of earlier plays written by Rosie Pierce, ‘Not Another Two Hander’ tackles the infamous theatre sub-genre head on. Expect instrumental music, thoughtful pauses and the overwhelming urge to stab yourself in the eye with a fork. And who knows, we might just discover something about what it is to be human along the way…LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 50 minutes without an interval.Refunds and exchanges are not available.

An icy January night. Raging in a sweaty Dalston basement: the thirty-fifth anniversary of radical lesbian club night THE DYKE FORUM.Katie has stupidly agreed to work security. And her partner for the night, Michelle, is a woman of few words. That is, until you get her started on the ethics of punching a Nazi, encountering James Corden in a Leicester Square casino, and why The Dyke Forum died years ago. As an unlikely connection forms, the pair wrestle with the difficulty of standing outside the one place you’re meant to belong, and what is perhaps the hardest thing: finding the courage to actually go inside. Produced and directed by the team behind The Switchboard Project, and written by trans writer Sofia Wills, Waiting For The Lesbians draws a line from the rage and resistance of lesbian life in the 90s to the doom-laden absurdity of trans life in the UK following the Supreme Court ruling. LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 60 minutes without an interval.Refunds and exchanges are not available.

A mother visits her daughter, but the reunion spirals when she discovers her daughter is pregnant - and planning an abortion. Fiercely opposed, the mother ignites a confrontation that cracks open long-buried tensions around womanhood, responsibility, fear, and the right to choose.In Mother/Daughter, both women act from love tangled with fear and insecurity. They keep misunderstanding each other, repeating patterns they barely recognise. The play asks whether two imperfect people bound by blood and contradiction can hold themselves accountable while still offering each other grace.Erika Skyte is a Lithuanian, London-based actress, dancer, and director. Trained at East 15 Acting School, she has appeared in the Sky TV series The Royal Mob, the feature film Stargazer, and more than a dozen festival-recognised short films, music videos, and commercials. Mother/Daughter is a work in progress, marking Erika’s first venture into playwriting.LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 60 minutes without an interval.Refunds and exchanges are not available.

“Growing Pains" follows 17-year-old Khadija as she navigates the hilarious and often awkward transition to university. Caught between her East London roots and a new, predominantly white university campus, she finds unexpected freedoms and friendships while grappling with the profound weight of cultural expectations, faith, and the fear of letting loved ones down. This relatable comedy deeply explores her journey as she finds herself genuinely caught between two worlds.Throughout the story, Khadija is faced with a decision that tests her faith, morals and belief. What starts off as a friendly decline to drink, creates a silent avalanche of events that leave Khadija wondering what would be the harm of having a sip? This piece tells both a personal and widely relatable story. While countless young people transition to university, the profound emotional complexities— especially for young Muslim women— are rarely depicted on stage. For many South Asian households, leaving home for university is culturally challenging, amplifying the stakes and potential isolation.Nalini Theatre Company was founded in 2023 by Alicia Fernandes to give emerging South Asian creatives a platform to create, and showcase their work. Nalini’s productions prioritise emerging creatives of cultural diverse backgrounds, zooming in on narratives that are authentic, and resemble real lives, real stories.Fathima Abdullah is a British Bangladeshi Muslim writer based in East London. Her writing explores the experiences of third generation South Asian Muslims navigating life in a diaspora delving into themes of immigration, religion and community. “Growing Pains” is her debut play developed as part of the 2024/2025 Soho Theatre Writer’s Lab.LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.The performance lasts approximately 80 minutes without an interval.Refunds and exchanges are not available.

The death of Edgar Allan Poe remains one of literature’s great unsolved mysteries.  Through music, movement, projections, and shadow play, this theatrical experiment follows Poe through a haunting and hallucinogenic re-imagining of his final nightmare.  This exploration of the life, death and legacy of Poe combine themes and characters from several of his most infamous stories and poems into “the story Poe never wrote.”After sold-out houses, awards and rave reviews at theatre festivals in the USA and Canada, “Edgar” comes to London for a two-week run at the Hope Theatre.  Toronto Intermission Magazine: “magical…a fever dream,” Toronto Star: “a frenzied adventure into the writer’s mind.”  Forget the Box, Montreal: “flippin’ impressive……a testament to what’s possible on the small stage with dedication, dreams, and a dash of madness.” Full Review Here- Forget the Box reviews Winner- “Best English Production”, Montreal Fringe Festival. Finalist “Best Adaptation of Poe’s Works” Poe Fest International. LATECOMERS MAY NOT BE ADMITTED.UNDER 18s ARE NOT PERMITTED INTO THE THEATRE FOR THIS PERFORMANCE.No re-admittance once the performance has commenced.Refunds and exchanges are not available.